Sisterhood

In this episode of High Theory, Katherine Turk tells us about Sisterhood, a familial metaphor used to evoke gendered solidarity in women’s movement of the mid-sixties and seventies, and a utopian ideal of equality within the human family. It’s a universalizing but aspirational concept that helped feminists build a political coalition. 

Our conversation is based upon Katherine’s new book about the National Organization of Women: The Women of NOW: How Feminists Built an Organization That Transformed America (MacMillan, 2023). This mainstream feminist organization is often neglected in histories of the period, dismissed as a liberal organization dedicated to incremental change. But NOW was an expansive organization that changed over time, shifted the conversation and legal structures in the US, and left an important historical record that we can learn from in social justice work today. 

Katherine Turk is an associate professor of History and an adjunct associate professor of Women’s and Gender Studies at UNC Chapel Hill. Her research and teaching focus on women, sex, gender, law, labor, and modern social movements. Her first book Equality on Trial: Gender and Rights in the Modern American Workplace (Politics and Culture in Modern America Series, University of Pennsylvania Press, 2016) studies the history of Title VII of the 1964 US Civil Rights Act, which outlawed workplace discrimination on the basis of such personal attributes as sex, race, and religion. 

The image for this week was made by Saronik Bosu. It shows Aileen Hernandez, Mary Jean Collins, and Patricia Hill Burnett, leaders of NOW who are the primary subjects of Katherine’s book.

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Self Help

In this episode of High Theory, Angela Hume tells us about Self Help, not the neoliberal strategy of self-actualization through consumer choices, but the radical political movement of gynecological self-help, that flourished in the late twentieth century and created a set of portable political tactics based in anarchist feminist philosophy. 

In the episode, she references Alondra Nelson’s book Body and Soul: The Black Panther Party and the Fight against Medical Discrimination (Minnesota UP, 2013); Michelle Murphy’s Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience (Duke UP, 2012); and several health activist organizations, including the Women’s Choice Clinic in Oakland, CA; AidAccess which provides mail order medication assisted abortion; and MYA Network, a group of clinicians seeking to expand abortion access in primary care settings. 

Angela suggested we include three links that everyone should have at their fingertips, PlanC (plancpills.org) which helps people access abortion pills, AidAccess (aidaccess.org) the pill fulfillment service described above, and I Need an A (ineedana.com), a clinic locator. 

In our longer conversation, she also named the Keep Our Clinics campaign, a fundraising effort to support independent abortion clinics, to which pre-sales of her book contributed. We’re sorry we didn’t get this up early enough for you to participate in the pre-sale! But now the book is out in the world, you can even read a review of it in The Guardian. 

Our conversation is based Angela’s new book, Deep Care: The Radical Activists Who Provided Abortions, Defied the Law, and Fought to Keep Clinics Open(link is external) (AK Press, 2023). A work of public scholarship and a history of medicine, the book tells a story of Bay Area abortion defense—from feminist clinical practice, to underground abortion provision, to street politics and clinic defense—from the 1970s to 2000s. You can read an excerpt from the book in the Post45 contemporaries collection “Abortion Now, Abortion Forever,” which was the starting point for our conversation on High Theory. 

Angela Hume is a feminist historian, critic, and poet, who teaches at UC Berkeley. Her creative and expository writing classes address environmental and health justice, working-class and multiethnic American literatures, feminist and queer storytelling, and more. Beyond Deep Care, Angela is co-editor of Ecopoetics: Essays in the Field (U of Iowa P, 2018). Her full-length books of poetry include Middle Time (Omnidawn, 2016) and Interventions for Women (Omnidawn, 2021).

The image for this episode was made by Saronik Bosu in 2023.

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Visibility

In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! 

In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich’s 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa’s Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. 

Margaret Galvan is an assistant professor of English at the University of Florida.  Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series.  You should go check it out!

Because the amazing images Margaret talks about were drawn recently, they’re still in copyright. Our image this week is from Gladys Parker’s comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men.

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Affective Masculinities

Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.

Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.

Image: © 2023 Saronik Bosu

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Off-Shore Aesthetics

Sritama Chatterjee talks about a model of literary criticism that she developed in the process of writing her new essay on shipbreaking in Bangladesh. It is a form of materialist understanding for texts, places, and geographies together, taking into account particular signifiers of a place and looking at correspondent literary responses. 

Sritama is a literary and cultural theorist of the Indian Ocean World, in the Literature program at the Dietrich School of Arts and sciences, University of Pittsburgh. Her dissertation project titled, “Ordinary Environments and Aesthetics in Contemporary Indian Ocean Archipelagic Writing” has been awarded an Andrew Mellon Pre-Doctoral Fellowship from her graduate school for outstanding research and scholarly excellence. Her work on the Indian Ocean archipelagos also takes the shape of a collaborative public-facing, community project Delta Lives, which platforms communities in Sundarbans telling their stories. As part of her commitment to rethinking environmental humanities pedagogy, she has edited a cluster on “Water Pedagogies: From the Academy and Beyond” published by NICHE Canada which brings together a set of eleven articles from scholars and activists reflecting on water pedagogy. 

Image: © 2022 Saronik Bosu

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Presentism

Anna Kornbluh talks about presentism, the anachronistic historical practice of studying the past with contemporary frames of understanding. While some orthodoxies might consider it to be tantamount to historical heresy, presentism can be a powerful tool in building histories of anti-establishment struggles, such as women’s and workers’ rights movements. The conversation also focuses on the work of the V21 Collective, a research collective that Anna organizes, which applies presentist methods to Victorianist scholarship.

Anna Kornbluh is Professor of English and Director of Graduate Studies at University of Illinois, Chicago. Her research and teaching focus on the novel, film, and critical theory, especially marxism, psychoanalysis, structuralism, and formalism. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019),  Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014).  Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times.  She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT.

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘Past has not Passed’ by James Blackshaw

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Aunties

Kareem Khubchandani talks about aunties, figure across culture that stand for inquiry and succor, at limits of, or outside of traditional family structures. The conversation spans across genres and contexts, mainly focusing on work in the new field of Critical Aunty Studies.

Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University. He is the author of Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020), which received the 2021 Association for Theatre in Higher Education Outstanding Book award, 2021 Dance Studies Association de la Torre Bueno book award, 2021 MLA/ASA Alan Bray Memorial Prize honorable mention, and the 2019 CLAGS: Center for LGBTQ Studies Fellowship. Kareem is also co-editor of Queer Nightlife (University of Michigan Press, 2021) and curator of criticalauntystudies.com. 

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘Like Swimming’ by Broke for Free

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Care Ethics

Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics.

Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book Caring Democracy: Markets, Equality, and Justice (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development (Harvard UP, 1982; useful excerpt available here) and Francois Jullien’s The Silent Transformations (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011).

Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in Medicine, Health Care and Philosophy (2019) 22: 275–285. Full lists of publications are available for Inge here and Merel here.

Both our guests are members of the Care Ethics Group at the University of Humanistic Studies in Utrecht, the Netherlands. Inge van Nistelrooij is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. Merel Visse is the Director of the Medical and Health Humanities Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies.

This week’s image is an undated painting titled “Resting” by Amrita Sher-Gil (1913-1941).

Music used in promotional material: ‘Peace of the Night’ by Crowander

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Sexual Difference

Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.

Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the
medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-
century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and
the Trans Feminine Allegory
(Northwestern, 2017). Her forthcoming second book, Feminism
Against Cisness
, is an edited collection of essays by Trans Studies scholars who use anti-colonial,
Black, and Marxist feminist methods to address the many legacies of the historical emergence of
the idea that assigned sex determines sexed experience. Her introduction for that collection,
entitled “Sexual Difference Without Cisness” provides the basis for this interview.

Image: © 2021 Saronik Bosu

Music used in promotional material: “Flow” by dustmotes

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Autotheory

In this episode Kim speaks with Lauren Fournier about autotheory.

Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.

She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.

Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.

colorful image with a line drawing of a cat superimposed and the words "one is not born but becomes a tabby" on it
Deirdre Logue and Allyson Mitchell, Hers is Still a Dank Cave: Crawling Toward a Queer Horizon, 2016, 24:32 colour and sound (English)

Image: Art by  Sona Safaei-Sooreh

Music used in promotional material: ‘Braided Flower’ by Lee Maddeford

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