Aunties

Kareem Khubchandani talks about aunties, figure across culture that stand for inquiry and succor, at limits of, or outside of traditional family structures. The conversation spans across genres and contexts, mainly focusing on work in the new field of Critical Aunty Studies.

Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University. He is the author of Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020), which received the 2021 Association for Theatre in Higher Education Outstanding Book award, 2021 Dance Studies Association de la Torre Bueno book award, 2021 MLA/ASA Alan Bray Memorial Prize honorable mention, and the 2019 CLAGS: Center for LGBTQ Studies Fellowship. Kareem is also co-editor of Queer Nightlife (University of Michigan Press, 2021) and curator of criticalauntystudies.com. 

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘Like Swimming’ by Broke for Free

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Sexual Difference

Emma Heaney talks about the social organization of the supposedly biologically derived terms of the sex binary into a hierarchy of persons and qualities. She speaks widely about the work that she and her colleagues are doing, drawing on a tradition of scholarship that includes the work of Luce Irigaray, Hortense Spillers, Cathy J. Cohen and others.

Emma Heaney is a teacher, researcher, and writer living in Queens. Her first book, a study of the
medicalization of trans femininity and the uptake of the diagnostic figure in works of twentieth-
century literature and philosophy, is The New Woman: Literary Modernism, Queer Theory, and
the Trans Feminine Allegory
(Northwestern, 2017). Her forthcoming second book, Feminism
Against Cisness
, is an edited collection of essays by Trans Studies scholars who use anti-colonial,
Black, and Marxist feminist methods to address the many legacies of the historical emergence of
the idea that assigned sex determines sexed experience. Her introduction for that collection,
entitled “Sexual Difference Without Cisness” provides the basis for this interview.

Image: © 2021 Saronik Bosu

Music used in promotional material: “Flow” by dustmotes

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Autotheory

In this episode Kim speaks with Lauren Fournier about autotheory.

Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.

She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.

Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.

colorful image with a line drawing of a cat superimposed and the words "one is not born but becomes a tabby" on it
Deirdre Logue and Allyson Mitchell, Hers is Still a Dank Cave: Crawling Toward a Queer Horizon, 2016, 24:32 colour and sound (English)

Image: Art by  Sona Safaei-Sooreh

Music used in promotional material: ‘Braided Flower’ by Lee Maddeford

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