Presentism

Anna Kornbluh talks about presentism, the anachronistic historical practice of studying the past with contemporary frames of understanding. While some orthodoxies might consider it to be tantamount to historical heresy, presentism can be a powerful tool in building histories of anti-establishment struggles, such as women’s and workers’ rights movements. The conversation also focuses on the work of the V21 Collective, a research collective that Anna organizes, which applies presentist methods to Victorianist scholarship.

Anna Kornbluh is Professor of English and Director of Graduate Studies at University of Illinois, Chicago. Her research and teaching focus on the novel, film, and critical theory, especially marxism, psychoanalysis, structuralism, and formalism. She is the author of The Order of Forms: Realism, Formalism, and Social Space (University of Chicago 2019),  Marxist Film Theory and Fight Club (Bloomsbury “Film Theory in Practice” series, 2019), and Realizing Capital: Financial and Psychic Economies in Victorian Form (Fordham UP 2014).  Her current research concerns impersonality, objectivity, mediation, and abstraction as residual faculties of the literary in privatized urgent times.  She is the founding facilitator of two scholarly cooperatives: V21 Collective and InterCcECT.

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘Past has not Passed’ by James Blackshaw

Tagged : / / / / / / / / / /

Economics

Matt Seybold talks about the development of economics as a discourse inside and outside the academy, its success in making itself felt to be the only discourse that can talk about resource management and distribution, and its many complicities with capitalism. The conversation ranges from the origins of economics in the concept of household management, to the possibilities of a utopian economics in the novels of Kim Stanley Robinson.

Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, where he is also resident scholar at the Center For Mark Twain Studies, editor of MarkTwainStudies.org, and host of The American Vandal Podcast. He is co-editor, with Michelle Chihara, of The Routledge Companion to Literature & Economics (2018) and, with Gordon Hutner, of a 2019 special issue of American Literary History on “Economics & American Literary Studies in the New Gilded Age.” Other recent publications can be found in Aeon, American Studies, Henry James Review, Leviathan, Los Angeles Review of Books, and Mark Twain Annual.  

Image: “New York Harbor from Brooklyn Bridge” The New York Public Library Digital Collections. 1850 – 1945.

Music used in promotional material: ‘Technical Difficulty Lullaby (Pigeon Song)’ by Monplaisir

Tagged : / / / / / / /

Military Industrial Complex

Kim talks to Patrick Deer about the Military Industrial Complex, a term used by US President Dwight D. Eisenhower in a 1961 speech to describe a permanent war economy, and the political, economic, and cultural matrix that sustains it. References are made to James Ledbetter’s book Unwarranted Influence and Seymour Melman’s book The Permanent War Economy.

Patrick Deer is Associate Professor at the Department of English, New York University. He focuses on war culture and war literature, modernism, and contemporary British and American literature and culture, and Anglophone literature and human rights. His book Culture in Camouflage explores the emergence of modern war culture in the first half of the 20th century. 

Image: Scene from the film Doctor Strangelove

Music used in promotional material: “Grim Desert Aftermath” by Kevin Bryce.

Tagged : / / / / / / / /

Dissensus

Kim talks with Gina about Jacques Rancière’s concept of dissensus.

Gina refers to several major works of philosophy including:
Jacques Rancière’s Dissensus
Immanuel Kant’s Critique of Judgement
Jacques Derrida’s The Truth In Painting
Plato’s Republic
She also takes a small dig at Althusser, in the spirit of Rancière

Gina is a PhD candidate at NYU and an amazing teacher. She studies medieval literature and critical theory. She loves Theodor Adorno and really really hates the dialectic.

This week’s image is an illuminated miniature from a 15th C manuscript held by the British Museum, depicting the “Debate for the Soul.”

Tagged : / / /
css.php