Podcast: High Theory

Diaspora with Diasporastan

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In our second crossover episode, Saronik talks to Maryyum Mehmood and Aditya Desai, the hosts of Diasporastan, a podcast for discussions on the South Asian diaspora, both as topic and lens through which to view the world. They talk about the podcast, and what the word ‘diaspora’ has meant to them in identitarian and generative capacities.

Maryyum is a socio-political analyst, cultural commentator and community cohesion expert. Along with her interfaith work, she teaches in the Department of Theology and Religion at the University of Birmingham.

Aditya is a writer, teacher, and activist in Baltimore. His stories and essays have appeared in in B O D Y, Barrelhouse Magazine, The Rumpus, The Millions, The Margins, District Lit, The Kartika Review, The Aerogram, and others.

Image: The logo of Diasporastan, created by Nirja Desai (@kalakar on Instagram)

Music used in promotional material: ‘The Beginning or the End’ by Nicholas Mackin

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Crosswords

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In this episode Kim talks to Adrienne Raphel about crossword puzzles.

For lots more about crosswords, check out Adrienne’s book Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can’t Live Without Them (Penguin Random House, 2021)

For some of the historical puzzles she mentions in the episode, Adrienne recommends The Curious History of the Crossword: 100 Puzzles from Then and Now by Ben Tausig.
If you’re inspired to start doing crosswords and looking for some guidance, she suggests the New York Times guide: “How to Solve The New York Times Crossword.”
For more on cryptic crosswords, check out Stephen Sondheim’s article “How to Do a Real Crossword Puzzle.” New York Magazine (April 1968). Also on cryptics, Emily Cox and Henry Rathvon’s book The Random House Guide to Cryptic Crosswords (Random House, 2003) is out of print but very good. And the crossword blog in The Guardian has lots of cryptic crosswords too.

Adrienne is a poet, scholar, and lecturer in the Princeton writing program. She has a super cool web site with links to all the other amazing things she’s written!

Our cover photo shows the stage set from Puzzles of 1925, a crossword musical! The digital image is from the White Studio Theatrical Photography Collection at the New York Public Library.

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Modernist Mushrooms

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Shalini Sengupta thinks together ‘the mycological turn’ in the humanities and the narrative and aesthetic work that mushrooms do in some modernist literature. She draws from Anna Tsing’s The Mushroom at the End of the World and the research of Sam Solomon and Natalia Cecire. Modernist mushrooms, if they are a thing, exist in the writings of Alfred Kreymborg, Djuna Barnes, and Sylvia Plath, and the photography of Alfred Stieglitz.

Shalini is a final year PhD student at the University of Sussex, UK. Her thesis explores the concept of modernist difficulty in British and diasporic poetry through the lens of intersectionality. Her academic writing have appeared/are forthcoming in Modernism/modernity Print Plus, Contemporary Women’s Writing, and the Journal of British and Irish Innovative Poetry. In 2021, she was selected as a Ledbury Emerging Critic.

Image Art by Saronik Bosu

Music used in promotional material: ‘How Many’ by Windmill

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Undisciplining

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Kim talks to Amy Wong, Ronjaunee Chatterjee, and Alicia Christoff about ‘Undisciplining’, a term they borrowed from Christina Sharpe’s In the Wake and have used in an article and a journal issue to signify a heuristic that would help bring modes of knowledge and methodologies to Victorian Studies that are unfamiliar or would be considered unnatural, given the regulations of that discipline. References are made to Elaine Freedgood’s Worlds Enough, Zadie Smith’s concept of the ‘neutral universal’, and the work of Brigitte Fielder.

Amy R. Wong lives in Oakland and is assistant professor of English at Dominican University of California, where she teaches courses on literature, film, media theory, and critical race studies. Her essays and reviews have appeared in Narrative, Literature Compass, ASAP Journal, Modern Philology, Studies in the Novel, SEL: Studies in English Literature, Public Books, and Avidly.

Ronjaunee Chatterjee lives in Montreal and teaches feminist, queer, and critical race theory, as well as courses on the 19th century, at Concordia University. Her essays and reviews have appeared in the Los Angeles Review of Books, ASAP Journal, The New Inquiry, French Studies,Victorian Literature and Culture, and other venues.

Alicia Mireles Christoff is associate professor of English at Amherst College. She is the author of Novel Relations: Victorian Fiction and British Psychoanalysis (Princeton University Press, 2019). Her essays have appeared in PMLA, Novel, Victorian Literature and Culture, Public Books, and other venues, and her poems in The Yale Review and Peach Mag.

Image: Fire at the Crystal Palace

Music used in promotional material: ‘Fall Apart’ by Livio Amato

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Abolition

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Leading up to Mayday, the nationwide Day of Refusal, and Abolition May, Saronik talks with Sean Gordon about abolition as an historical movement to end the transatlantic slave trade and a transformative justice movement to abolish prisons and defund the police. The episode focuses on the relationship between absence and presence, destruction and reconstruction, in abolitionist narratives and thought, and makes reference to Angela Davis’s Abolition Democracy: Beyond Empire, Prisons, and Torture (2005), Mariame Kaba’s We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice (2021), Tiffany Lethabo King’s The Black Shoals: Offshore Formations of Black and Native Studies (2019), and works by W. E. B. Du Bois, Ruth Wilson Gilmore, Frank Wilderson, and Jared Sexton. There is no doubt that abolition will save the world.

Sean recently finished his PhD in English and American Studies at the University of Massachusetts Amherst. His research and teaching focus on nineteenth-century American literature, abolition, and the environmental humanities.

You can visit the We Do This ‘Til We Free Us publisher’s website to donate copies of the book to people who are incarcerated.

Image: “A is for Abolition”, one in the series titled Collidescopes by Julia Bernier

Music used in promotional material: “Heartbeat” by ykymr

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Distant Reading

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In this episode Kim talks with Ama Bemma Adwetewa-Badu about distant reading.

Ama Bemma provides her Global Poetics Project as an awesome example of distant reading. She also references Franco Moretti’s book Distant Reading (Verso, 2013) and Ted Underwood’s essay “A Genealogy of Distant Reading” Digital Humanities Quarterly 11 no. 2 (2017). Take a look at her short blog post on big data at the Network for Digital Humanities in Africa, for more of her insights on distant reading.

In the longer version of our conversation Ama Bemma gave the African literary blog Brittle Paper as another example of contemporary digital humanities work. She also mentions James Yeku’s symposium on African digital storytelling.

Towards the end we discuss Alan Liu’s commentary on cultural criticism in the digital humanities, and the philosophical amusements of “What is Digital Humanities?” Make sure when you visit that last page that you reload the page!

Ama Bemma Adwetewa-Badu is a Ford Foundation Dissertation Fellow (2021-2022) and a Ph.D. Candidate (ABD) in the Department of Literatures in English at Cornell University, who researches post-1960s global literary networks, focusing on poetry and poets from around the world. You can read her essay on “Poetry from Afar: Distant Reading, Global Poetics, and the Digital Humanities” in Modernism and Modernity.

Image by Saronik Bosu

Music used in promotional material: “These many stairs” by Tendon Levey

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The Right to Maim

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Bassam Sidiki talks about the right to maim, the titular concept in Jasbir K. Puar’s book, and the related concept of debility. He explains how these concepts have changed how the field of disability studies orients itself. References are made to Anjuli Fatima Raza Kolb’s new book Epidemic Empire, the work of Anita Ghai, Tommy Orange’s novel There There, Lauren Berlant’s concept of ‘slow death’, and Alexander Weheliye’s Habeas Viscus.

Bassam is a PhD Candidate in English at the University of Michigan, where he studies postcolonial studies, disability studies and health humanities. His scholarship appears or is forthcoming in Journal of Medical Humanities, Literature and Medicine, and Journal of Literary and Cultural Disability Studies. Of particular relevance to this episode is his recent article on the novel Anatomy of a Soldier.

Image: Saronik Bosu

Music used in promotional material: “Rough” by Natus

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Autotheory

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In this episode Kim speaks with Lauren Fournier about autotheory.

Lauren has recently published a book on the subject, titled Autotheory as Feminist Practice in Art, Writing, and Criticism (MIT Press, 2021). In the episode she points to Maggie Nelson’s book The Argonauts as the book that made the term famous, but refers us to a longer history of autotheoretical feminist writing, including work by Gloria E. Anzaldúa, Audre Lorde, and bell hooks.

She also mentions critical research by Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” and the book I Love Dick, by Chris Kraus.

Lauren is a writer, curator, and artist, who currently holds a SSHRC postdoctoral fellowship in visual studies at the University of Toronto. She is currently co-editing a special issue of ASAP Journal on Autotheory with her colleague Alex Brostoff. Her novella, All My Dicks, is forthcoming with Fiction Advocate.

colorful image with a line drawing of a cat superimposed and the words "one is not born but becomes a tabby" on it
Deirdre Logue and Allyson Mitchell, Hers is Still a Dank Cave: Crawling Toward a Queer Horizon, 2016, 24:32 colour and sound (English)

Image: Art by  Sona Safaei-Sooreh

Music used in promotional material: ‘Braided Flower’ by Lee Maddeford

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Military Industrial Complex

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Kim talks to Patrick Deer about the Military Industrial Complex, a term used by US President Dwight D. Eisenhower in a 1961 speech to describe a permanent war economy, and the political, economic, and cultural matrix that sustains it. References are made to James Ledbetter’s book Unwarranted Influence and Seymour Melman’s book The Permanent War Economy.

Patrick Deer is Associate Professor at the Department of English, New York University. He focuses on war culture and war literature, modernism, and contemporary British and American literature and culture, and Anglophone literature and human rights. His book Culture in Camouflage explores the emergence of modern war culture in the first half of the 20th century. 

Image: Scene from the film Doctor Strangelove

Music used in promotional material: “Grim Desert Aftermath” by Kevin Bryce.

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Recall This Book Crossover

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This is our first crossover episode! Saronik and Kim talk to John Plotz from the wonderful Recall This Book podcast.

Our conversation is rather wide ranging, but we focus on podcasting and the pastoral. Take a look at their page for show notes and transcripts.

Some of the books we discuss include Hind Swaraj or Indian Home Rule, by M.K. Gandhi; Herland, by Charlotte Perkins Gilman; Angel Island by Inez Haynes Gillmore. Our recallable books are Mark Matthew’s Droppers, John Ruskin’s Unto This Last; and Thomas Hardy’s Return of the Native.

Recall this Book is hosted by John Plotz and Elizabeth Ferry. Elizabeth Ferry (who wasn’t able to join us for this crossover episode) is a professor of Anthropology at Brandeis University. John Plotz is a professor of English at Brandeis and a proficient podcaster. He’s just launched a new podcast called Novel Dialogue with Aarthi Vadde at Duke University. Check it out!

This week’s image is the Recall This Book podcast logo.

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