Tag: digital humanities

Txt

by webwitchUncategorizedLeave a Comment on Txt

In this episode of High Theory, Matthew Kirschenbaum talks about txt, or text. Not texting, or textbooks, but text as a form of data that is feeding large language models. Will the world end in fire, flood, or text?

In the full interview, Matthew recommended Tim Maughan’s novel Infinite Detail(Macmillan, 2019) as an excellent example of writing about the end of the internet, and Emily St. John Mandel’s Station Eleven(Knopf, 2014) as a positive example of a post-internet apocalypse. In the episode he references a paper by Beder et al., “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” FAccT ’21: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency (March 2021): 610–623. And several apocalyptic scenarios, including the dead internet theory and the gray goo hypothesis. 

Matthew Kirschenbaum is Distinguished University Professor of English and Digital Studies at the University of Maryland and Director of the Graduate Certificate in Digital Studies. His books include Track Changes: A Literary History of Word Processing (Harvard UP 2016) and Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). With Kari Kraus, he co-founded and co-directs BookLab, a makerspace, studio, library, and press devoted to what is surely our discipline’s most iconic artifact, the codex book. See mkirschenbaum.net or follow him on Twitter (or X?) as @mkirschenbaum for more.

Because we are hoping to encourage the text apocalypse, we made today’s image using generative AI. Specifically Saronik made it using the prompt “Text” in Canva’s AI interface. 

Tagged : / / / / /

Computer Graphics

by webwitchUncategorizedLeave a Comment on Computer Graphics

In this episode of High Theory, Bernard Dionysius Geoghegan talks with us about computer graphics. Emerging from tools for sailing and warmaking, like sea charts and radar, modern computer graphics are technologies of mapping and managing risk. They seem intent on absorbing the human sensorium into the machine.  

In the episode Bernard refers to computer graphics as “techniques of addressing,” a term he attributes to Ranjodh Singh Dhaliwal.  He also uses the term “operational images” which comes from the work of Harun Farocki, and talks about SAGE, the US Government’s Cold War era Semi-Automatic Ground Environment Air Defense System.  Bernard references Paul Edward’s book A Vast Machine: Computer Models, Climate Data, and the Politics of Global Warming (MIT Press, 2013). He also mentions the German scholar Christoph Borbach who has written on auditory computer interfaces, and American disability studies scholar Mara Mills, who has written on the Deaf history of computing.  He was kind enough to give us an extensive bibliography on this topic, which is posted below. 

Bernard Dionysius Geoghegan is a reader in the History and Theory of Digital Media at King’s College London.  He has a brand new book out on the cybernetic history of French theory, called Code: From Information Theory to French Theory (Duke UP, 2023). Kim met him when he came to give a talk at the Stanford Humanities Center in January 2023.  He wore denim and had a slightly manic affect. People came all the way from Berkeley to hear what he had to say, which is quite impressive in the Bay Area.  

Places I’ve developed these topics in print:

Galloway, Alexander, and Bernard Dionysius Geoghegan. “Shaky Distinctions: A Dialogue on the Digital and the Analog – Journal #121 October 2021 – e-Flux.” E-Flux, no. 121 (October 2021). https://www.e-flux.com/journal/121/423015/shaky-distinctions-a-dialogue-on-the-digital-and-the-analog/.

Geoghegan, Bernard Dionysius. “An Ecology of Operations: Vigilance, Radar, and the Birth of the Computer Screen.” Representations 147, no. 1 (August 2019): 59–95. https://doi.org/10.1525/rep.2019.147.1.59.

———. “The Bitmap Is the Territory: How Digital Formats Render Global Positions.” MLN 136, no. 5 (2021): 1093–1113. https://doi.org/10.1353/mln.2021.0081.

A video lecture talking about these topics:

My lecture starting around 3 hours, 7 min. mark on this YouTube Video: “Screening the Environment: From Rough Waters to Computable Grids.” Vivre par(mi) les écrans : passé et avenir, Université Jean Moulin Lyon 3, April 2022.

Scholars whose works have inspired my remarks and research:

Bredekamp, Horst, Vera Dünkel, and Birgit Schneider, eds. The Technical Image. Chicago: University of Chicago Press, 2015. A great collection of essays in the spirit I try to follow in my own work.

Cardoso-Llach, Daniel. “Architecture and the Structured Image: Software Simulations as Infrastructures for Building Production.” In The Active Image: Architecture and Engineering in the Age of Modeling, edited by Sabine Ammon and Remel Capdevila-Werning, 23–52. Cham: Springer, 2017.

Denson, Shane. Discorrelated Images. Durham: Duke University Press, 2021.

Dhaliwal, Ranjodh Singh. “On Addressability, or What Even Is Computing.” Critical Inquiry 49, no. 1 (Autumn 2022): 1–27.  https://www.journals.uchicago.edu/doi/abs/10.1086/721167

Farocki, Harun. “Phantom Images.” Public, no. 29 (2004): 13–22. Where he briefly discusses the term operational images to which myself and so many others are indebted.

Gaboury, Jacob. Image Objects: An Archaeology of Computer Graphics. Cambridge (MA): MIT Press, 2021.

Hoelzl, Ingrid, and Rémi Marie. “Google Street View: Navigating the Operative Image.” Visual Studies 29, no. 3 (2014): 261–71. https://doi.org/10.1080/1472586X.2014.941559. 

Parikka, Jussi. “Operational Images: Between Light and Data.” E-Flux, no. 133 (February 2023). https://www.e-flux.com/journal/133/515812/operational-images-between-light-and-data/.

Schneider, Birgit. Textiles Prozessieren. Zurich: Diaphanes, 2007. A great early study of the relation of computation to graphical—as well as visual, practical, labor, and craft—histories.

Vardouli, Theodora. “Skeletons, Shapes, and the Shift from Surface to Structure in Architectural Geometry.” Nexus Network Journal, 2020. https://doi.org/10.1007/s00004-020-00478-0. (One of many inspiring texts and projects Theodora’s put into the world, on compters, graphics, and space.)

This week’s image is a radar loop of the December 16 2007 Eastern North America winter storm, found on Wikimedia Commons. The loop runs from Saturday Morning at 7 AM (Dec 15) to Sunday Night at 7 PM (Dec 16). The image is in the public domain because it was made by someone who works for the National Weather Service in Burlington, Vermont. The rate of change of the GIF was slowed down to avoid triggering folks with photosensitive epilepsy. 

Tagged : / / / / /

100th Episode: Public Humanities

by webwitchUncategorizedLeave a Comment on 100th Episode: Public Humanities

Saronik Bosu talks about humanities work engaging diverse communities and publics, misconceptions about what the ‘public’ in public humanities might mean as well as the recent attention paid to it by academic departments. In a longer version of the conversation, some individual instances of various digital humanities and archival projects are discussed. Here he speaks mainly from the perspective of his own work as a humanities podcaster and creator of humanities programming.

Saronik Bosu is a doctoral candidate at the Department of English, New York University. He researches literary rhetoric and economic thought in contexts of decolonization. He is co-host of this podcast and the 2022-23 NYU-Mellon Public Humanities Doctoral Fellow. His work has appeared on journals like Interventions and Movable Type, as well as Avidly and Post45. He also makes art and works together its integration with scholarship.

Image: © 2022 Saronik Bosu

Tagged : / / / / / / / /

Distant Reading

by webwitchUncategorizedLeave a Comment on Distant Reading

In this episode Kim talks with Ama Bemma Adwetewa-Badu about distant reading.

Ama Bemma provides her Global Poetics Project as an awesome example of distant reading. She also references Franco Moretti’s book Distant Reading (Verso, 2013) and Ted Underwood’s essay “A Genealogy of Distant Reading” Digital Humanities Quarterly 11 no. 2 (2017). Take a look at her short blog post on big data at the Network for Digital Humanities in Africa, for more of her insights on distant reading.

In the longer version of our conversation Ama Bemma gave the African literary blog Brittle Paper as another example of contemporary digital humanities work. She also mentions James Yeku’s symposium on African digital storytelling.

Towards the end we discuss Alan Liu’s commentary on cultural criticism in the digital humanities, and the philosophical amusements of “What is Digital Humanities?” Make sure when you visit that last page that you reload the page!

Ama Bemma Adwetewa-Badu is a Ford Foundation Dissertation Fellow (2021-2022) and a Ph.D. Candidate (ABD) in the Department of Literatures in English at Cornell University, who researches post-1960s global literary networks, focusing on poetry and poets from around the world. You can read her essay on “Poetry from Afar: Distant Reading, Global Poetics, and the Digital Humanities” in Modernism and Modernity.

Image by Saronik Bosu

Music used in promotional material: “These many stairs” by Tendon Levey

Tagged : / / / / / / /
css.php