Civil Disobedience

Eraldo Souza dos Santos talks about the invention of civil disobedience as a form of political action around the world, and the need for its redefinition to describe activism present and future. In the episode, he references John Rawls’s classic definition from A Theory of Justice (Harvard UP, 1971) and Erin Pineda’s new book, Seeing Like an Activist: Civil Disobedience and the Civil Rights Movement (Oxford UP, 2021).

Eraldo Souza dos Santos is a philosopher and historian of political thought whose research explores how political concepts have come to shape political discourse and political practice, and how political actors have come to contest the meaning of these concepts in turn. In his current project, he traces the global history of the idea of civil disobedience. He is currently a Ph.D. candidate in Philosophy at Panthéon-Sorbonne University. He has been the recipient of grants and fellowships from the Académie française, the Maison française d’Oxford, the Leuven Institute for Advanced Studies, the Munich Centre for Global History, the Friedrich Nietzsche College of the Klassik Stiftung Weimar, the French-Dutch Network for Higher Education and Research, and the Coordination for the Improvement of Higher Education Personnel, among others.

Image: Bas-Relief of the Salt March led by M.K. Gandhi in March-April 1930, photograph by Nevil Zaveri, available here under Creative Commons.

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Biscuit Art

Ella Hawkins talks about the biscuits she makes, inspired by her research on Elizabethan dress, and on everything from William Morris wallpapers to TV shows like Outlander and Game of Thrones. She also talks about her upcoming monograph, titled Shakespeare in Elizabethan Costume: ‘Period Dress’ in Twenty-First-Century Performance (forthcomin from Bloomsbury), which examines how early modern garments are recycled and reimagined in contemporary costume design for Shakespeare.

(You’ll hear Saronik trying, and failing, to recall something Oscar Wilde said. Turns out he was slightly misremembering the exact quote; it’s in “The Soul of Man Under Socialism” and the passage begins with the sentence: “Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.”)

Ella is a design historian and artist based in Birmingham, England. She has a PhD in
Shakespeare Studies and specializes in the study of stage and costume design, dress history,
and material culture. Drawing on her academic work, Ella creates edible art inspired by museum collections, art
history, and costumes designed for the stage and screen. She uses a range of decorative
techniques to make iced biscuit sets that celebrate the material culture of the past and
present.Ella has previously worked with the Victoria & Albert Museum, the Shakespeare
Birthplace Trust, and the Royal Shakespeare Company on various projects relating to
design and theatre history.

(For our American listeners, ‘biscuit’ in this case means ‘cookie’.)

Image: Assortment of Ella’s biscuits

Music used in promotional material: ‘pastorale’ by Dee Yan-Key

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Trace

Farah Bakaari talks about Trace, a core concept in deconstruction, that denotes an absent presence, a mark of something that is no longer there. She talks about how in her own work she has used the concept of trace to write about legacies of colonialism and slave trade in the Atlantic and Indian oceans, for which there is no archive that is conventionally legible.

In the episode Farah mentions the work of Parisa Vaziri on Iranian cinema and music as an example of work that interrogates an historical trace. You can listen to Parisa discuss forthcoming book here.

Farah Bakaari is a doctoral student in the Department of Literatures in English at Cornell University. Her research focuses on twentieth-century African literature, in particular the politics of time in anti-colonial and postcolonial works of art. She also works in memory studies and trauma theory. She holds a BA in English and Political Science from Grinnell College.

Image: © 2021 Saronik Bosu

Music used in promotional material: ‘The Lost and Forgotten’ by Hellenica

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