Farah Bakaari talks about Trace, a core concept in deconstruction, that denotes an absent presence, a mark of something that is no longer there. She talks about how in her own work she has used the concept of trace to write about legacies of colonialism and slave trade in the Atlantic and Indian oceans, for which there is no archive that is conventionally legible.
In the episode Farah mentions the work of Parisa Vaziri on Iranian cinema and music as an example of work that interrogates an historical trace. You can listen to Parisa discuss forthcoming book here.
Farah Bakaari is a doctoral student in the Department of Literatures in English at Cornell University. Her research focuses on twentieth-century African literature, in particular the politics of time in anti-colonial and postcolonial works of art. She also works in memory studies and trauma theory. She holds a BA in English and Political Science from Grinnell College.
Image: © 2021 Saronik Bosu
Music used in promotional material: ‘The Lost and Forgotten’ by Hellenica
Stephen Guy-Bray talks about sexuality, a concept that brings together the the use of sexual metaphors in the description of textual production and the erotics that inhere in reading praxes. Among other things, this concept is a critique of the use of popular heteronormative metaphors of reproduction to describe the creation of literature.
Stephen Guy-Bray is professor of English at the University of British Columbia. He specializes in Renaissance poetry, queer theory, and poetics. He has just finished a monograph on line endings in Renaissance poetry.
Image: © 2021 Saronik Bosu
Music used in promotional material: ‘The Gold Lining’ by Broke For Free
Saronik talks to Shweta Krishnan, doctoral candidate in Anthropology at George Washington University.
She speaks about how she uses Giles Deleuze and Félix Guattari’s concept of deterritorialization in her work on the emergent religious discourse of Donyipolo in the Indian states of Arunachal Pradesh and Assam.
Shweta thinks with the geological metaphors and mythological stories of the Mising and Adi tribes, and brings them into conversation with Deleuze and others. Donyipolo (sometimes referred to as Donyipoloism) is an emergent discursive formation shaped by the efforts of the Adi, the Mising and other Tani tribes to revive, reform and improvise their ancestral ethical practices since the 1980s. Donyipolo is the name given to an omniscient and omnipotent force that catalyzes the formation of the material world in Tani cosmologies. Shweta examines how the revivalists reimagine religiosity in and through their efforts to rebuild their relationship with Donyipolo.
Image: photo taken by Shweta on the way to Majuli from Jorhat by boat.