Queer Mysticism

We close Pride Month of 2023 with Jamie Staples talking about queer mysticism. This includes instances in medieval Christianity where an embodied and erotic experience of life, within and between persons, became the basis for an apprehension of divinity. The conversation particularly focuses on the poem “Dark Night of the Soul” by 16th century Spanish poet St. John of the Cross and the work of 14th-15th century English mystic Margery Kempe. Jamie shares his own story to show how queer mysticism can offer resources from within Christianity to build a personal and communitarian politics against fundamentalist discrimination and hatred.

Starting this fall, Jamie Staples will be Visiting Assistant Professor of Medieval English literature at Trinity College in Hartford. His research takes seriously the productive intersection of mystical theology and poetry in the development of alternative modes of critical thinking in the late Middle Ages. He’s recently written two articles focused more specifically on the queer mysticism that he will be discussing today, one on the fifteenth-century Book of Margery Kempe, published in Romanic Review, and the other on the fourteenth-century poem Cleanness, published in Exemplaria.

Image: © 2023 Saronik Bosu

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The Environmental Unconscious

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies.

Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left.

Image: © 2023 Saronik Bosu

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Off-Shore Aesthetics

Sritama Chatterjee talks about a model of literary criticism that she developed in the process of writing her new essay on shipbreaking in Bangladesh. It is a form of materialist understanding for texts, places, and geographies together, taking into account particular signifiers of a place and looking at correspondent literary responses. 

Sritama is a literary and cultural theorist of the Indian Ocean World, in the Literature program at the Dietrich School of Arts and sciences, University of Pittsburgh. Her dissertation project titled, “Ordinary Environments and Aesthetics in Contemporary Indian Ocean Archipelagic Writing” has been awarded an Andrew Mellon Pre-Doctoral Fellowship from her graduate school for outstanding research and scholarly excellence. Her work on the Indian Ocean archipelagos also takes the shape of a collaborative public-facing, community project Delta Lives, which platforms communities in Sundarbans telling their stories. As part of her commitment to rethinking environmental humanities pedagogy, she has edited a cluster on “Water Pedagogies: From the Academy and Beyond” published by NICHE Canada which brings together a set of eleven articles from scholars and activists reflecting on water pedagogy. 

Image: © 2022 Saronik Bosu

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Epic

Sohini Sarah Pillai talks about epics, long narrative poems about heroic events – whether all such poems can be called epics, and how they continue to generate cultural and political material. The conversation covers epic poems ranging from the Iliad to Jack Mitchell’s The Odyssey of Star Wars.

Sohini Pillai is Assistant Professor of Religion at Kalamazoo College where she teaches courses on religious traditions in South Asia. She is a comparatist of South Asian religious literature and her area of specialization is the Mahabharata and Ramayana narrative traditions with a particular focus on retellings created in Hindi and Tamil. She is also the co-editor with Nell Shapiro Hawley of Many Mahabharatas (State University of New York Press, 2021).

Image by Saronik Bosu (This image is a work of fan art that adapts characters from the Star Wars franchise owned by Lucasfilm ltd.)

Music used in promotional material: ‘Yoliyoli’ by 33nano

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Flatness

Noreen Masud talks about the unnamed feelings and ambiguous modes of relationship occasioned by flat landscapes, and the act of looking at them, in twentieth century fiction, especially the novels of D.H. Lawrence, Willa Cather, and Gertrude Stein.


Noreen Masud is a Lecturer at the University of Bristol, UK, currently working on flat landscapes in twentieth century literature. Her first academic book, Hard Language: Stevie Smith and the Aphorism, is out with OUP in 2022, and her first trade book, A Flat Place, will be released by Hamish Hamilton in the UK and Melville House Press in the US in 2023.

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘In Your Hollow’ by Allysen Callery

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Trace

Farah Bakaari talks about Trace, a core concept in deconstruction, that denotes an absent presence, a mark of something that is no longer there. She talks about how in her own work she has used the concept of trace to write about legacies of colonialism and slave trade in the Atlantic and Indian oceans, for which there is no archive that is conventionally legible.

In the episode Farah mentions the work of Parisa Vaziri on Iranian cinema and music as an example of work that interrogates an historical trace. You can listen to Parisa discuss forthcoming book here.

Farah Bakaari is a doctoral student in the Department of Literatures in English at Cornell University. Her research focuses on twentieth-century African literature, in particular the politics of time in anti-colonial and postcolonial works of art. She also works in memory studies and trauma theory. She holds a BA in English and Political Science from Grinnell College.

Image: © 2021 Saronik Bosu

Music used in promotional material: ‘The Lost and Forgotten’ by Hellenica

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Sextuality

Stephen Guy-Bray talks about sexuality, a concept that brings together the the use of sexual metaphors in the description of textual production and the erotics that inhere in reading praxes. Among other things, this concept is a critique of the use of popular heteronormative metaphors of reproduction to describe the creation of literature.

Stephen Guy-Bray is professor of English at the University of British Columbia. He specializes in Renaissance poetry, queer theory, and poetics. He has just finished a monograph on line endings in Renaissance poetry.

Image: © 2021 Saronik Bosu

Music used in promotional material: ‘The Gold Lining’ by Broke For Free


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Ghazal

Manan Kapoor talks about the Ghazal, the medieval Arabic poetic form which travelled to the Indian subcontinent in the 12th century and flourished there ever since. He focuses on the work of Agha Shahid Ali, the Kashmiri-American poet who perfected the art of the ghazal in the English language. Kapoor’s biography of Shahid, A Map of Longings, was published earlier this year. Particular references are made to the poem “In Arabic” from Shahid’s collection Call me Ishmael Tonight, the ghazals sung by Begum Akhtar which greatly influenced Shahid’s work, and English ghazals written by poets like Adrienne Rich which he critiqued.

Manan Kapoor is an Indian writer and translator. A Map of Longings: The Life and Works of Agha Shahid Ali (Vintage, Penguin Random House India) is his latest work. His debut novel The Lamentations of a Sombre Sky was shortlisted for Sahitya Akademi’s Yuva Puruskar 2017. In 2019, he was a writer-in-residence at Sangam House Writers’ Residency. His writings have appeared in The Caravan Magazine, Boston Review, The Hindu, Stockholm Review of Literature, Scroll, The Wire, and Firstpost among others. He lives in Chandigarh.

Image: “Gazelle” © 2021 Saronik Bosu (The word ‘ghazal’ and ‘gazelle’ share a root in Arabic, the poetic form compared originally to the lament of a wounded gazelle).

Music used for promotional material: “Raga Kirwani” on the Sarod by Ustad Ali Akbar Khan

High Theory is one-year old today! This is our 56th episode. We are deeply grateful to our guests, our audience all over the world, and our loyal supporters who spread the word everyday on social media. Thank you!

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Love as Critique

In this episode Saronik talks to Manasvin Rajagopalan about critical possibilities in varied literary ideations of love.

Manasvin mentions Hannah Arendt’s concept of love as destruction, the concepts of Puram and Akam in classical Tamil poetics, Moliere’s comedies, Plato’s Symposium, the Hebrew Bible, Sappho’s poetry, the story of Shakuntala, and The Aeneid.

Manasvin is a PhD candidate in Comparative Literature at UC Davis , where he writes about questions of identity and world building in Early Modern French and Tamil literature.

Image: An eighteenth century representation of the Dhanasri Ragini held by The Art Institute of Chicago. Public domain artwork.

Music used in promotional material: “The Flute in a Barrel” by Sandro Marinoni and Stefano Roncarolo.

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Mimesis

Kim interviews Alliya Dagman about mimesis.

Alliya references Plato’s Republic and various internet memes, including a John Oliver meme about how Xi Jinping hates being compared to Winnie the Pooh.

E. H. Shepard’s 1928 illustration of the honey loving Pooh bear (not yet a dictator).

Alliya is a PhD candidate in the English Department at NYU. She writes about poetics and theory, and is a vital force behind the Organism for Poetic Research. She is a badass WordPress developer too!

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