Black Trans Feminism

Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.

You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book Black Trans Feminism, published by Duke University Press. Released next week! On February 25th.

In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in Afropessimism: An Introduction (Racked & Dispatched, 2017).

Marquis is Assistant Professor of African American Studies and English at Northwestern University. They also serve as Faculty Affiliate and Advisory Board Member in Gender & Sexuality Studies and Advisory Board Faculty Member in Critical Theory.

This week’s image was provided by Marquis.

Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective

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Aunties

Kareem Khubchandani talks about aunties, figure across culture that stand for inquiry and succor, at limits of, or outside of traditional family structures. The conversation spans across genres and contexts, mainly focusing on work in the new field of Critical Aunty Studies.

Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University. He is the author of Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020), which received the 2021 Association for Theatre in Higher Education Outstanding Book award, 2021 Dance Studies Association de la Torre Bueno book award, 2021 MLA/ASA Alan Bray Memorial Prize honorable mention, and the 2019 CLAGS: Center for LGBTQ Studies Fellowship. Kareem is also co-editor of Queer Nightlife (University of Michigan Press, 2021) and curator of criticalauntystudies.com

Image: © 2022 Saronik Bosu

Music used in promotional material: ‘Like Swimming’ by Broke for Free

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