Marquis Bey talks about the radical and abolitionist project of Black Trans Feminism. Rather than an identity formation, it is a politics and modality of being that vitiates the limits of subjectivity. Black Trans Feminism finds joy in irreverence, just like we try to do on High Theory.
You can recalibrate your understanding of the subject by reading Marquis’s forthcoming book Black Trans Feminism, published by Duke University Press. Released next week! On February 25th.
In the episode Marquis references a wonderful quote from Saidiya Hartman, that “A Black revolution makes everyone freer than they actually want to be.” It’s a hard quote to find, but it appears in Frank Wilderson’s interview with C.S. Soong, “Blacks and the Master/Slave Relation” in Afropessimism: An Introduction (Racked & Dispatched, 2017).
Marquis is Assistant Professor of African American Studies and English at Northwestern University. They also serve as Faculty Affiliate and Advisory Board Member in Gender & Sexuality Studies and Advisory Board Faculty Member in Critical Theory.
This week’s image was provided by Marquis.
Music used in promotional material: ‘Semiacoustic’ by Pk Jazz Collective
Tagged : African American Studies / ballroom / Black Studies / critical theory / dance / dancing / gender and sexuality / gender and sexuality studies / lgbtq / queer studies / queer theory / trans studies / transgender / vogueing
Kareem Khubchandani talks about aunties, figure across culture that stand for inquiry and succor, at limits of, or outside of traditional family structures. The conversation spans across genres and contexts, mainly focusing on work in the new field of Critical Aunty Studies.
Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University. He is the author of Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020), which received the 2021 Association for Theatre in Higher Education Outstanding Book award, 2021 Dance Studies Association de la Torre Bueno book award, 2021 MLA/ASA Alan Bray Memorial Prize honorable mention, and the 2019 CLAGS: Center for LGBTQ Studies Fellowship. Kareem is also co-editor of Queer Nightlife (University of Michigan Press, 2021) and curator of criticalauntystudies.com.
Image: © 2022 Saronik Bosu
Music used in promotional material: ‘Like Swimming’ by Broke for Free
Tagged : drag / drag studies / family / feminism / feminist theory / gender / gender and sexuality / gender and sexuality studies / kinship / kinship studies / lgbtq / queer studies / queer theory / south asia / South Asian Studies / women's studies
Sandeep Bakshi (@sandeepbak on Twitter) talks to Saronik about understanding queerness and its emancipatory politics through transnational solidarity building, the persistent inclusion of trans and queer epistemological frames in social justice movements, especially in the work done by the Decolonizing Sexualities Network. Sandeep explains this concept and the DSN’s objective by referring to the works of Maria Lugones, Sylvia Tamale and the Fallist movement, and Karma Chávez and Against Equality.
Sandeep Bakshi researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as an Associate Professor of Postcolonial and Queer Literatures at the University of Paris. He heads the “Gender and Sexuality Studies” research group and coordinates two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,”. Co-editor of Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016) and Decolonial Trajectories, special issue of Interventions (2020), he has published on queer and race problematics in postcolonial literatures and cultures. He is the founder and serves on the board of the Decolonizing Sexualities Network.
Image: Cover of the book Decolonizing Sexualities: Transnational Perspectives, Critical Interventions
Music used in promotional material: “Hear Me Out” by Ketsa
Tagged : Decolonization / gender and sexuality / intersectional feminism / intersectionality / queer politics / queer studies / queer theory / sexuality / trans studies